Ramblings of a delusional dumbass

So, i'm at Gopalan Cinemas. I don't usually go to the movies, let alone by myself. But here I am, almost an hour early. It was an hour early half an hour ago anyway. Frankly, i'm bored. It took me about two minutes to buy my tickets and I was bored by the fifth. Figured i'd use this spare time to write my blog. Like everything else here, this will also make no sense (btw that's my signature style), and this is just random shit I see around as I wait for my show to begin. It's pretty good this multiplex thingie. AC, clean floors, nobody giving a fuck about the lonely guy sitting in the corner... I'M BORED! Enter entertainment. Have you seen grown women trying hard not to act their age? And when I say grown women I don't mean twenty or thirty somethings. I mean the ones who've been around for half a century or more. I did. They made a fuss about not wanting to pay a hundred and fifty bucks for their tickets. Oggling at Hugh Jackman's post

Three things play an important role in Mani saar's stories- visuals music and an element of love. Everyone is all praise for the technical aspects, but no one talks about the romance in his films. But it's not the mundane run-around-the-fucking-tree kind of romance. His portrayal of love is more mature and almost matter-of-factish. There is no ringing bells or lighting or rain or violin music or any of that over the top bullshittery. I'm a novice here, but i guess that's how love is supposed to happen in real life. Maybe that's why they call it 'falling' in love, because it is supposed to happen spontaneously, with no effort on each others part. Although a lot of his movies have been love stories, the fact that they're set up in the backdrop of serious issues pushes the 'love angle' to the background and highlights the sensitive issues. Ultimately, his movies deal with how love is affected by those external factors. Terrorism, riots, political